Blog : film
Ever wonder where to find all of those strange and wonderful films you remember from your past? What about those crazy films that never found a home in the mainstream market, but found one in the heart of true film fans? Well wonder no more! Pivotshare has given all of your cult film favorites a beautiful new home! Get ready to discover Cultorama.tv!
Everyone comes to a point in their lives when they are forced to decide whether to continue down the road put before them, or to strike out in a different, unknown direction. This universal human experience is brilliantly examined in the touching feature film, Mississippi Damned. Set against a backdrop of the rural South, the story focuses on the lives of three young black siblings and their choice to either fight against the demons that have wreaked havoc on their extended family for years, or confront these issues and in so doing, break free. Poverty, infidelity, and abuse are all explored in a real and raw way that few films ever achieve.
Now that everyone has returned home from their summer vacations, Pivotshare thought it would be the perfect time for us to hit the road! The Pivotshare team has spent the summer building a variety of new tools to make it even easier for paid content creators to sell media directly to their audience. Anyone can use pay-per-view rentals, purchase downloads, channel-wide subscriptions, tip-jars or a combination of them all to create their own branded VOD storefront. We’re so excited about everything we have going on that we thought we’d stop by a few hot spots and tell the folks there how we Pivotshare is helping to change the way the world consumes media.
Friday, Sept. 27th - Social Media Week, Toronto - The Future Of Home Entertainment
Saturday, Sept. 28th - MIT Hacking Arts Festival, Cambridge, MA - Storytelling in the Digital Age
Oct. 2-3 - Dogfish Accelerator, New York - Filmmaker Mentoring Workshops
Sunday, Oct. 6 - San Diego Film Festival, San Diego - The Business Side of the Business
A new day has dawned for filmmakers around the world. Starting in the late 1960s, directors like Dennis Hopper, Francis Ford Coppola, and John Cassavetes bucked the system and began to create projects outside of the studio world. But even with the birth of the “indie market” most of these still functioned under the looming eye of the studios, who either contributed seed funding, or more likely, the all-coveted distribution of the final artistic endeavor. This situation all changed however, with the arrival of affordable digital technology. But even though filmmakers now had a less expensive process by which to birth their projects, there still remained an elusive piece of the puzzle keeping them from red-carpet fame and fortune: distribution. There was still no easy way for them to get their projects directly to their fans without giving away most of the reward, that is, until now.