Conventions and conferences are an important part of the American corporate and creative landscape. According to the Convention Industry Council (CIC), 1.8 million meetings, conferences, and trade shows occur in the U.S. every year attracting 205 million attendees which results in 907 billion dollars of annual revenue. The reason for the popularity of conferences in this country is not only because they are profitable for the organizers, but also for those who attend. In 2009 world research giant Oxford Economics showed that every dollar spent on business travel such as conferences resulted in over twelve dollars in increased revenue. The trouble with most conferences is that once the lights go off, the revenue stops. All of the brilliant information and presentations that came from the stage cease to sell tickets after the doors have been shut and the paying crowds return home. Pivotshare has created a solution to this dilemma that allows you to easily sell your conference video.
Blog : sell DVDs online
A new day has dawned for filmmakers around the world. Starting in the late 1960s, directors like Dennis Hopper, Francis Ford Coppola, and John Cassavetes bucked the system and began to create projects outside of the studio world. But even with the birth of the “indie market” most of these still functioned under the looming eye of the studios, who either contributed seed funding, or more likely, the all-coveted distribution of the final artistic endeavor. This situation all changed however, with the arrival of affordable digital technology. But even though filmmakers now had a less expensive process by which to birth their projects, there still remained an elusive piece of the puzzle keeping them from red-carpet fame and fortune: distribution. There was still no easy way for them to get their projects directly to their fans without giving away most of the reward, that is, until now.
The recent use of streaming platforms that allow comedians to offer comedy specials directly to their audience is absolutely no laughing matter. In December of 2011, world famous comedian Louis C.K, star of the sitcom “Louie”, released his special “Live at the Beacon Theater” as a $5 download from his personal website. Within 72 hours, C.K. had walked away with nearly a quarter-of-a-million to show for his efforts, and to date the special is closing in on nearly a million. Within a few months, Aziz Ansari, the star of NBC’s hit “Parks and Recreation” took the cash cue and also offered his special “Dangerously Delicious” as a download directly to his fanbase. Although Ansari has not released his numbers, most suspect that he found similar results in the experiment. It appears that a new day has dawned for American comics. The advent of paid content has allowed comedians and other entertainers to offer their performances directly to their audience and sell comedy videos online, thus cutting out costly middlemen. It used to be that stand ups who wanted to sell their material, whether it be in the form of DVDs or televised events, were at the mercy of studios, networks, and distribution companies. This meant that each chain in the sales link took a larger and larger portion of the profits, often leaving the performer with only pennies on the dollar for their efforts.